Marc-Antoine Charpentier composed six Te Deums, although only four of them have survived.[1] Largely because of the great popularity of its prelude, the best known is the Te Deum in D major, H. 146, written as a grand motet for soloists, choir, and instrumental accompaniment probably between 1688 and 1698, during Charpentier’s stay at the Jesuit Church of Saint-Louis in Paris, where he held the position of musical director.
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