Actually, I just got Bolder Sounds Bluegrass Banjo VST and it sounds like the real deal as far as rolls go. I haven’t mastered rolls yet, so I use the software for that and play chords and single notes on a real banjo. You really can’t tell the difference in a mix.
Great thread, mccumba. Agreed with AlumoAudio and jhunger. I don’t watch a lot of TV, partially because when I do, I spend the majority of the time listening to the music in the commercials, wondering if what I’m hearing is real or synthetic. If you can’t tell, does it matter?? I’m sure there are some pianists who have been playing for years who can instantly tell the difference between a sampled piano and the real deal. Same for violins, etc. To me, some of the fake instruments sound great (specifically, I’ve heard some really convincing digital Rhodes piano reproductions). And then, I’ve been a guitarist for almost 20 years, and to me, no sampled or synthetic guitar sounds the same as the real thing. Same for banjo, uke and mandolin. Something about the nuances of picking/strumming/fingerpicking, perhaps. Probably is totally based on what you’re the most familiar with sonically.
Mixing bass. Also…mixing bass.
It is the bane of my existence.
Surprisingly I’m having a hard time finding this. The classic horse trot sound—coconuts maybe? I need the clip and the clop separated enough so I can play them rhythmically on a keyboard. Anyone? (I’m happy to pay for it.)
Nice guitar playing! I think your mix could use more balance. There is a lot of high end, causing things to sound a little thin. Warm things up, add some dynamics (hard vs. soft, variety of instruments, etc.) and watch that pitch and you’ve got a winner.
I don’t think you can do better for the price than the Equator D5 monitors. Reviewers love them (Mix, Tape Op, Sound on Sound). I have them and they’re great. I would never mix on headphones, but to check bass rumble, little editing mistakes, etc, headphones are a must. I was letting a lot of bad bass info through until I got my Audio Technica ATH-M50 headphones and could hear it. (Bass in the bane of my existence. How about you?) Then I check my mix…from the doorway, from downstairs, with big-a** stereo speakers, little Roland desktop speakers and in my car. If I haven’t detected anything weird at that point, I’m done!
Mihai_Sorohan saidActually it can happen, Mihai. Because I did it. Accidentally zipped up the watermarked file by mistake. It was only caught when a client bought the track.
1 – An item with watermark on the main file would not pass the review team
2 – Are you sure you downloaded the main file or just the preview?
So do you guys usually re-master your songs when you get new plugins etc? Just wondering, because I’ve have some songs in my portfolio that really good be polished up….
Personally, I wouldn’t remaster a song just because of a new plugin, unless it really makes a difference. In general, one’s time is better spent coming up with new ideas instead of revisiting old ones. But my mixing chops and my ability to hear things have grown, and if I hear something from the past that I now recognize as undesirable, I’ll fix it.
I just sold my longest non-selling track. I added it in January of 2011, and it just sold for the first time. I always believed in it which is why I left it in. In the mean time my mixing chops have improved so I’ve remixed it at least once. If you add a track, you like it and AJ approves it, then my advice is stick with it.
Another vote for the Audio-Technica ATH-M50s. They’re my last line of defense as far as bass buildup in a mix. Comfortable too, and priced right. Note that the “LE” version (LE: limited edition) is over $100 more and from what I can see the added expense is just for the “Special 50th anniversary edition silver-colored metallic finish.”
i think if you ask the producer-types who use our music, the vast majority will tell you they want an ending. Fades are for songs people listen to for enjoyment, but there really isn’t a place for them in multimedia productions.