If you lack the proper gear and/or engineering skills to make it maximally loud in a somewhat musically satisfying way, you’re at a disadvantage because of the loudness issue. And of course it’s counter-productive to squash everything as much as humanly possible for film.
It goes in cycles for me. I make a habit to try to play on dynamics more then compression. Then the loudness starts creeping back up and it gets a little louder, and a little louder. Then all of a sudden I realize that I am making everything super loud again, then focus on dynamics again. Its a vicious cycle.
- Interviewed on the Envato Notes blog
- Author had a File in an Envato Bundle
- Author has had an Item Featured
- Exclusive Author
- Has been a member for 2-3 years
- Referred between 1 and 9 users
- Sold between 10 000 and 50 000 dollars
- United Kingdom
- Bought between 10 and 49 items