Posts by pietrogirardi

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pietrogirardi says

So far I’m enjoying it. 0×100% still feels better than 0×50%.
LOL!!! :D +1
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pietrogirardi says

Come on now buyers :) Give us some 100% Rates!
+1000! Cm’on, show us some looooove!!! :-D
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pietrogirardi says

Happy Birthday, and thanks for the gift! Gosh, I really hope to sell something today ;-)

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pietrogirardi says

Aside from those, one thing that definitely saves me time is track templates. E.g. being able to import a drum template with all sections panned, routed, sent to a bus and with FX chains (set to default) saves a lot of set up time.
+ 1
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pietrogirardi says

I don’t know any famous rock-band with similar sound, but I love it, it’s kinda of mixture of a few styles in the modern way. Sounds awesome! Good luck with that!
Thanks for your kind words John! ;-)
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pietrogirardi says


Maybe one suggestion: The Black Keys?
+1

not exactly the same, but a similar style. :)

You play all the instruments and the voice?
Yes, except drums (midi loop) I play and sing all the parts ;-)
Thanks to you and Blue Lion for the suggestion on the Black Keys, that’s a good starting point and helps me to find other similar artists!
Best
Pietro
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pietrogirardi says
http://audiojungle.net/item/movin-up/4452176
Ok, time to launch this on CD Baby and become a rockstar ;-) but actually, I’m not an expert of rock music: does anybody know at least three authors/bands to whom my track could be sounding like?
Thanks for your help!
Pietro
86 posts
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pietrogirardi says

http://audiojungle.net/item/movin-up/4452176

Ok, time to launch this on CD Baby and become a rockstar ;-) but actually, I’m not an expert of rock music: does anybody know at least three authors/bands to whom my track could be sounding like?
Thanks for your help!
Pietro

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pietrogirardi says

The best book I’ve ever read that has helped me personally is:

’’The Emerging Film Composer : An introduction to the people, problems, and psychology of the film music business”

http://www.amazon.com/The-Emerging-Film-Composer-Introduction/dp/0615136230

It is an absolutely essential read, and while it is geared towards film composers, many aspects of the book can be applied across all parts of the media music making spectrum. It includes chapters on Preparation (before you enter the industry), Pricing Your Work, Getting Work, The Writing Process, Delivery, and a lot more, particularly in terms of people (social) skills.

The writing style is also thoroughly entertaining and forthright. I can easily read through the book very quickly, and I’ve read it over and over again. It is educational, useful and most importantly, it is practical.

Thanks for this great suggestion, I’ll grab a copy for sure!

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pietrogirardi says

You need to explain exactly how you are using this reverb in your DAW, Waves IR L probably isn’t the best but it shouldn’t sound like that. It sounds like you have the IR L as an insert over the whole mix and have the mix knob totally wet.
+1. Tools don’t make a track, it’s all about the way you use them. IR-L is an excellent piece of software, if the tune was rejected you were either using it too much or in a wrong way:
  • are you using reverb as insert or send? Reverb is usually a send type of effect, this way you can apply the same reverb processor on different instruments (in other words, putting them in the same space), this helps in terms of realism.
  • in send mode, are you using them pre or post fader? Using them in pre fader helps you control the distance you put between the listener and the source: the lower the fader, the bigger the distance. In post-fader you have a different prospective, but it’s a matter of taste.
  • are you filtering the reverb channel? Usually after reverb you need a hi-pass filter (for cleaning up low frequencies, that often create mud in the mix) and sometimes a low pass filter (to clean up high frequencies reflections).
    An interesting thing to know: our auricle is a low pass filter at approx. 4Khz for sounds coming from behind us: filtering reverb at this frequency can help making listeners think that the sound they hear is actually coming from behind (try it!)
In general, clients often complain about too much reverb used in tracks: try to use it sparingly and to create spacey mixes with panning and eq.

Hope it helps.
Best,
Pietro
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