Here is something definitely in the style of Zimmer.http://audiojungle.net/item/powerful-epic-cinematic-trailer/4587179
Congratulations, KV. Many more sales to come!
Congratulations! Have a great week!
I don’t understand people who aren’t interested in automating something if it can be automated.
Having worked in software development in the private sector for the better part of 20 years, I have come to believe that automating for the sake of automating is rarely the right answer. Now, I would not mind if there was an automated process, but I doubt that I would use it as a one size fits all solution rarely actually fits all. I will always adjust the volume of the watermark to some degree to fit the track. You can certainly apply an algorithm to do this, but I would be very surprised if it works as well as doing it within the mix. Otherwise, we would have the use of automated mixing superseding the use of manual mixing. I, personally, would rather have the say over how my preview files sound. But I certainly have no quibble with those who would an automated process.
Fantastic achievement. Congratulations!
Excellent choice! That pack is a beast.
There are two that always come to mind when this question is asked. One is from the year I was born, so is way before the time of most of you. That one is Ben-Hur composed by Miklós Rózsa. Still awesome after all this time.
The other is Braveheart. The End Credit still gives me chills.