RobertBlueMusic saidYes, except drums (midi loop) I play and sing all the parts
Maybe one suggestion: The Black Keys?
not exactly the same, but a similar style.You play all the instruments and the voice?
Thanks to you and Blue Lion for the suggestion on the Black Keys, that’s a good starting point and helps me to find other similar artists!
The best book I’ve ever read that has helped me personally is:
’’The Emerging Film Composer : An introduction to the people, problems, and psychology of the film music business”http://www.amazon.com/The-Emerging-Film-Composer-Introduction/dp/0615136230
It is an absolutely essential read, and while it is geared towards film composers, many aspects of the book can be applied across all parts of the media music making spectrum. It includes chapters on Preparation (before you enter the industry), Pricing Your Work, Getting Work, The Writing Process, Delivery, and a lot more, particularly in terms of people (social) skills.The writing style is also thoroughly entertaining and forthright. I can easily read through the book very quickly, and I’ve read it over and over again. It is educational, useful and most importantly, it is practical.
Thanks for this great suggestion, I’ll grab a copy for sure!
SkylineAudio said+1. Tools don’t make a track, it’s all about the way you use them. IR-L is an excellent piece of software, if the tune was rejected you were either using it too much or in a wrong way:
You need to explain exactly how you are using this reverb in your DAW, Waves IR L probably isn’t the best but it shouldn’t sound like that. It sounds like you have the IR L as an insert over the whole mix and have the mix knob totally wet.
- are you using reverb as insert or send? Reverb is usually a send type of effect, this way you can apply the same reverb processor on different instruments (in other words, putting them in the same space), this helps in terms of realism.
- in send mode, are you using them pre or post fader? Using them in pre fader helps you control the distance you put between the listener and the source: the lower the fader, the bigger the distance. In post-fader you have a different prospective, but it’s a matter of taste.
- are you filtering the reverb channel? Usually after reverb you need a hi-pass filter (for cleaning up low frequencies, that often create mud in the mix) and sometimes a low pass filter (to clean up high frequencies reflections).
An interesting thing to know: our auricle is a low pass filter at approx. 4Khz for sounds coming from behind us: filtering reverb at this frequency can help making listeners think that the sound they hear is actually coming from behind (try it!)
Hope it helps.
Congratulations, I’ve just have the red paw too and it feels great!
At least I did it! Even if I haven’t been producing new stuff since last august (and haven’t been posting almost anything in the forums…), I did some promotion on YouTube and soundcloud and the money streams slow but constantly…
Now heading for the Black Paw!
all guitars you hear in this video are made with it:
You can also check this out, the final solo was made with the Lap Steel Guitar from the same company:
SoundMaze saidSomething I stumbled upon today that could be considered in topic: http://www.ted.com/talks/robert_gupta_between_music_and_medicine.html http://blog.ted.com/2012/10/02/music-the-mind-and-medicine-a-qa-with-robert-gupta/
Thanks for your kind words Pietro.